The music on this collaborational album is rooted in the Black American art form of jazz, stemming into the branches of free improvisation, noise and experimentalism while pushing to the edges of each idiom. The idiosyncratic playing of guitarist Jessica Ackerley starts off the album's title track and jumps headfirst into a Hendrix-tinged duo with drummer Jason Nazary. Patrick Shiroishi quickly joins in to take the energy up a notch with soprano sax wailing in both mimicry and opposition to Ackerley's phrasing. Just as the wall of sound is beginning to crack an abrupt halt shifts the energy and Luke Stewart's crawls dialogue with the smearing spattering trumpet solo from trumpeter Chris Williams.