Together with 'Photons' (2005), 'Lightwaves' completes the investigation of the electro archetype, documenting the Neosurrationalist bridge between art and science, that began with a dialogue in a Kreuzberg bar involving Giovanni De Donà, Paololuca Barbieri of Alterazioni Video, and physics researcher Markus Gühr, now professor and lead of the Experimental Quantum Physics group at Potsdam University in Berlin. The dissemination given by the current interpretations made by various artists, reveal the possibility of radical vibrant electro made without synthesizers, in spite of Kraftwerk's tradition. To play directly with neonlights instead of singing them, and to amplify even the invisible infrared of a remote control without fearing a T.V.O.D -television overdose-, it meant entering definitively into the new normality of the bruit, the rauschen, the shum, the záyin, the new "Arte Dei Rumori" of the electromagnetic noise of the new millennium, revealing both the inaudible of light frequencies and also the invisible through its raw sound and potential for irreverent, chromatically-limited pulsations.