Dorian Pimpernel only seems to be working with one goal in mind: restart the machine that once made us dream and go into ecstasy. Inspired first and foremost by the first wave of psychedelia ('Sgt. Peppers', 'S.F. Sorrow', 'An Electric Storm' by White Noise, the s/t album by The United States of America), then by the second wave which stormed during the '70s ("building bridges between Canterbury and Düsseldorf", then by the big, more or less famous names of library and film of the golden age era (Morricone, Basil Kirchin...), eventually by the thousands of haunted instruments (rare or very rare synths, old guitars) that populate the curiosity cabinet that is their studio.