Like his collaborator Gus Jenkins, Alabama born and bread harp destroyer Ace Holder is just one of many postwar blues artists who, instead of Chicago or Detroit or St. Louis, added their deep southern blues flavour to the rich caldillo of post-war Los Angeles music. 'Wabba Suzy-Q' (1962) collides contemporary post-twist dance craze madness into wailing downhome blues vocal and harmonica with electrifying results.