The sixth album by Lorelle Meets The Obsolete is a short, sharp shock of a record with no unnecessary adornments and no fat on any of its eight songs. Gone are the psychedelic wig-outs found on previous releases. They are replaced with bass-heavy post-punk grooves inspired by the roots of The Congos, the no wave of Ike Yard, the industrial hip-hop of Dlek and the dark modular moves of Hiro Kone, all while harnessing the elemental power of Jon Hassell's 'Vernal Equinox'.