Her molten, overdriven guitar sound is forged in the same fiery furnace as Hendrix, Tony Iommi, Jimmy Page, then plunged into a steaming vat of free jazz in the Sonny Sharrock/Fred Frith mould. In tracks like 'The Rex' and 'Lake Acid', you'll hear the megalithic riffology of Led Zeppelin's 'Kashmir' and 'Rock'N'Roll', but with an agility and intensity peculiar to the dark Northern regions where she and her bandmates were raised.