Ennio Morricone delivered more of the same dramatic conflict on his score for the 1967 Western 'La Resa Dei Conti', this time mixing in a bit of atmospheric formlessness among his more romantic and orchestral sounds. There's some vampiric sounding organs as well as one of those ascending, judgement day tunes that's expected of a Western: the strings come into play and the choir gets heavy with the tension.