With an arsenal of cheap, decrepit Soviet synthesisers, this four-piece from Ukraine combines a love of minimalist ambient music and the kosmische grooves that came pumping out of Eastern Europe in the '60s and '70s. There are two sides to Sherpa The Tiger. To begin with there are the danceable groove-ridden cuts that channel the funkier repetitions of Can's 'Future Days'. And then there are the more stripped-back moments, which see cosmic, ambient deconstructions that could easily have found themselves on the score of some kind of '80s crime-thriller set against the neon-lit backdrop of Miami.