Another Korean folk classic, that also features "best production and trip vocal." Yoon Youn Sun's beautiful, brooding vocals breathe hope where before there was despair. There are retro-'60s touches that are reminiscent of French ye-ye music of the Francoise Hardy, France Gall type-sultry, yet nurturing a languid innocence. This album by Yoon Youn Sun was released in Korea in 1972 (KLS-64), which makes Yoon Youn Sun a contemporary of Kim Jung Mi, which is a good reference point. The record has several modes: there are duets with a male singer, the songs that groove the best (tracks five and six) occur when the farfisa organ gets involved, the second half of the record features complex arrangements (a few strings find their way into the mix). Full-color discography included.